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We will provide a similar test here on our blog in the future, but read on for more details. When Phase One released its IQ digital back, its full frame medium format sensor boasting a staggering 80 megapixel resolution was not so surprising. What took the high-end medium format photography community by storm was its large high resolution retina touch screen.
Prior digital back screens were postage stamps by comparison. The Phase One IQ series offered focus-mask, which in my opinion was a sleeper surprise feature on the IQ series digital backs, one that quickly overshadowed the claimed benefits of having live-view.
But regardless of live-view capabilities, the most significant limitation on the effectiveness of live view on location is the physical size of the screen.
No matter whether DSLR or MFDB, the screen size on the back of a camera or digital back is still limited to about three-inches in width, or about the size of a credit card. Regardless of technology, this is a physical limitation that can not be overcome absent an external monitor. When combined with tired aging eyes, the difficulty of the challenge becomes more pronounced and the proponents of true live view on a diminutive three-inch screen suddenly discover that it is not the panacea that they had been clamoring for.
Tethering in studio is not a problem where powerful computer workstations can run fully featured versions of Capture One Pro software, viewing full resolution digital raw files on large monitors.
In prime conditions it is relatively easy to check composition, exposure, and focus. The difficulty or challenge is viewing images while on location with a larger portable screen option. Tethering on location generally requires using a laptop solution mated with tethering options such as those offered by Nine-volt. However, size and weight is often a significant concern for landscape photographers and other photographers working on location. A tablet provides a much better form function over a laptop, especially where size and weight are primary considerations.
Despite a large selection of tablets on the mainstream market none have had the power or memory necessary to tether a medium format digital back. A tablet has a better physical form factor for both traveling and viewing in the field than the clam shell configuration of a notebook or laptop computer, a popular selection being the Macbook Pro or MacBook Air.
When tethering, additional accessories are helpful to secure the laptop to a tripod for ease of viewing. For those with a Macbook Pro or Air, look no further than Nine-volt. The DigiPlate and DigiPlate Lite are both well-crafted and CNC machined from aircraft grade aluminum and allow for infinite configurations and tethering options.
Both are designed with laptops in mind and although I could attach the Surface Pro 2 tablet to the DigiPlate Lite, I found myself wanting a smaller and lighter on location solution yet— as even the DigiPlate Lite weighs almost as much as the Surface Pro 2 tablet itself. I have instead decided to use the Nine Volt tethering solution in studio only.
The Microsoft Surface Pro 2 tablet weighs two pounds. It is smaller and lighter than a laptop, but heavier and much more powerful than a typical small tablet, casting itself as a red-headed step-child among a large, rather uniform, and ordinary field of tablets, notebooks, and laptops.
The Surface Pro 2 measures Battery life is excellent. It is essentially a laptop in tablet form that can run a full version of Capture One Pro 7. This changes everything. Size and weight are major considerations when working on location, especially when you have to hike any considerable distance to your destination. The Surface Pro 2 tethering solution adds no more than 3 pounds total to my pack, including the Arkon heavy duty c-clamp universal tablet mount, which attaches to my Really Right Stuff TVC carbon fiber tripod.
Set up is quick, taking no more than a minute. The tablet mount features two ball joints allowing me to maneuver the Surface Pro 2 in any position quickly and easily. Some care needs to be taken to avoid over tightening the c-clamp and damaging the tripod leg. I placed thin adhesive rubber strips inside the c-clamp which adds grip while also protecting the tripod leg from potential scuffing. I chose the Manvex case for protection, and leave the Surface Pro 2 in the case even when using the tablet mount.
The Manvex case provides a secure holder for the stylus pen. In the above photo, I have chosen to position the Surface Pro 2 directly below the digital back on the camera. The Surface Pro 2 boots up quickly to a nice clean desktop, having opted to bypass the messy desktop of Windows 8 using a neat free program called Classic Shell. The program recognizes the IQ automatically after plugging in a short three-foot USB3 cord connecting the digital back to the Surface Pro 2.
This is just too easy. The convenient tablet form factor and the capability of the Surface Pro 2 to run a full version of Capture One Pro 7 is ideal for landscape photographer and is also an attractive tethering solution for architectural and interior photographers as well. For working on location, I have chosen to set up my Capture One Pro 7 work space to maximize the viewing area of the main image.
Too bright outside? Simply tap in the bottom right corner and adjust the brightness of the screen to match. Tap the Focus Mask tool to assist and the sharper areas of focus appear painted in green.
The Focus Loupe tool or any other tool in C1 Pro 7 is also available to use on the full 80 megapixel raw file. Once on screen, the image can be moved around to inspect other elements of the image simply by dragging a finger on the screen to the area of the image desired. Viewing the preview image on the larger screen of the Surface Pro 2 makes it much easier to check composition, focus, and even the desired amount of lens movement afforded by technical cameras. Changes can be now be quickly and confidently made on the camera or digital back before again trigger the shutter for the final image capture.
For my typical workflow, I do not see myself using the Surface Pro 2 to photograph tethered in studio, although its Windows 8 Miracast WiFi capability to send images to other Miracast enabled monitors, such as high resolution viewing tablets and high definition widescreen televisions, has potential worth investigating. Live-view via USB3 may still be an option on the Surface Pro 2 and C1 Pro 7 enabled later via Phase One firmware update, however, in my opinion, I do not expect any further improvements in live view capability to be implemented with CCD sensor-based digital backs.
In the meantime, I find that using focus mask and other tools within C1 Pro 7 on the Surface Pro 2 on full resolution raw files to be faster and more effective than working with a limited version of live-view and neutral density filters.
Even the IQ and DSLRs, with their true live-view capabilities are still limited by the physical size of their viewing screens. The tablet format does take some getting used to but its form factor and power is exactly what makes the Surface Pro 2 unique as a tethering tool, especially in the world of medium format digital photography. The tablet is lighter than a laptop and consequently does not require as strong of a mounting clamp to attach to a stand or tripod.
This means less bulk and less weight. When traveling the Surface Pro 2 can serve double duty replacing a laptop while also providing a small but capable tethering solution. The Sony Vaio Tap 11 is an alternative tablet that could be considered, but its performance does not appear to be as good as the Surface Pro 2 running programs under Windows 8.
Further, its battery life in the field is substantially shorter than that offered by the Surface Pro 2. Battery life in the field for the Surface Pro 2 is about seven hours. First, the Windows 8 operating system to me is like Vista was to XP. The Windows 8 desktop is a messy social enabled interface. I want a clean office desktop , and the Windows 8 interface is busy, messy, and trendy. Thankfully there are a host of free programs such as Classic Shell that address this minor shortcoming, allowing you to boot directly to a nice clean desktop similar to Windows 7, with a C1 Pro 7 shortcut icon now plainly visible.
No more useless clutter. Finally, the magnetic holder which doubles as both the battery charger port and pen stylus holder on the side of the Surface Pro 2 is gimmicky.
I find myself spending more time making sure that the magnetic connection is secure enough to enable charging without inadvertently being bumped off. Using the magnetic holder to store the digitized stylus pen is almost insuring its eventual loss and replacement. The charger works well enough, but storing the stylus pen is much better in the pen holder provided by the Manvex case.
All of these accessories are best left in your bag except for the digitized stylus pen when tethering on location. Lighter than a laptop or notebook, yet heavier than a tablet, the Surface Pro 2 has not been as widely embraced as a powerful hybrid computer tablet that maybe it should. But for photographers seeking to shoot high-end medium format digital backs tethered on location, the Surface Pro 2 is indeed a game changer.
In Photographer Spotlight. Background in a Nutshell. Full image view. Note the approximate area of the image marked by the yellow rectangle on the screen. Full view on image on the Surface Pro 2. Start typing and press Enter to search.
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